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Bhanu Athaiya: Best of the Best

Film historian, Dhruv Somani, picks his 10 favourites from the vast collection  created by the late doyenne of film costu...

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Rameshwari wahi jo sab ka man bhaaye

Aparajita Krishna takes us with her on a journey through Rameshwari’s life - from a student of acting to becoming a film star, wife, m...

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World, beautiful, world

Khalid Mohamed in conversation with photographer Babul Bhatt who focuses on the beautiful sides of cityscapes around the world...

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Cabaret Queens

Film historian, Dhruv Somani, returns to the era of cabarets to select seven of the dancing divas that shone a light on Bollyw...

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Don’t Call her Aunty

Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.

Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Pivotal, Not Seminal: Indian Matchmaking

Since its release a couple of weeks back, Indian Matchmaking, has raced to the top of the charts for Netflix in India, writes Dr Sandee...

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Mehmood: The King of Comedy

Khalid Mohamed recalls Bollywood’s ace wonder mirth-maker, Mehmood, on the occasion of h...

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My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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